
The fun, quick and affordable way to create animations, Anime Studio is the ideal solution for first time animators, hobbyists and digital enthusiasts.

The fun, quick and affordable way to create animations, Anime Studio is the ideal solution for first time animators, hobbyists and digital enthusiasts.

Is a season of The Office with less episodes still a great season? That seems to be the debate among the Emmy-winning sitcom’s faithful audience in regard to season four, which like every program in 2007 and 2008 suffered due to the Writers Guild strike. But even a truncated season can’t dispel the fact that The Office remains one of television’s funniest and most consistently inventive programs. If a theme can be grafted upon season four, it’s Things Fall Apart: former temp Ryan (writer-producer B.J. Novak) is promoted to executive position and then squanders that power, while Dwight (series MPV Rainn Wilson) attempts to recover from his breakup with Angela (Angela Kinsey) and her apparent relationship with the hapless Andy (Ed Helms). Elsewhere, HR’s Toby (writer-director Paul Lieberstein) finally flees Dunder Mifflin for that long-threatened vacation to Costa Rica (and is replaced by Oscar nominee Amy Ryan), and Stanley (Leslie David Baker) reaches his own breaking point in “Did I Stutter?” The center of office entropy is, of course, boss Michael Scott (Steve Carell), who is knocked off his pedestal throughout the season; his sweetly naïve television spot is disparaged in “Local Ad,” he’s passed over for the executive outing in “Survivor Man,” and in the season’s highlights, he is forced to twice endure humiliation at the hands of his own girlfriend Jan (Melora Hardin), first in the heartbreaking “Deposition,” and then immediately after in the Emmy-nominated “Dinner Party,” which puts their disintegrating relationship in sharp focus. Even office lovebirds Jim (John Krasinski) and Pam (Jenna Fischer) experience some rocky moments as Jim anguishes over the right time to propose to her. But don’t let that laundry list of disasters fool you into thinking that season four is a downer; if anything, many of the episodes are among the funniest the show has produced to date. Most notable among these are the opener “Fun Run” (the Scranton team participates in Michael’s charity race for rabies prevention), “Job Fair” (Michael attempts to hawk Dunder Mifflin to high schoolers, while Jim struggles to land a client), and the aforementioned “Dinner Party” and “Goodbye, Toby.” Longtime viewers may wince at some of the broader gags in the season, like Michael and Dwight driving into the lake in “Dunder Mifflin Infinity,” but the best episodes are so strong–and Carell and his fellow players so dead-on in their performances–that it’s hard to make a case against the season for those relatively few low points. Extras in the season-four set are fewer than in previous releases, though that may have to do with the reduced number of episodes. Deleted scenes are offered for every episode, and many are real gems, most notably those in “Dinner Party” and “Goodbye Toby.” A smattering of commentaries is also included; Carell and Krasinski are noticeably absent, but Wilson, Fischer and the writing and directing staff more than make up for their absence. And the featurette “Writer’s Block,” which includes footage of the writers’ panel at an Office convention, gives an amusing alternate to the usual behind-the-scenes coverage. Michael’s complete ad for Dunder Mifflin, a battery of amusing faux PSAs for rabies, and a gag reel do much to fill out the supplemental features. –Paul Gaita

Easy setup and precise control don’t have to cost a bundle! Try the WingMan Precision USB gamepad. You’ll get a solid gamepad with a precise eight-way D-pad and six programmable buttons including two fast-action triggers. It’s perfect for sports and action games, and the USB connectivity makes installation a snap. Great for Mac gamers, too.

January 21st 2009 is not a date that Susan Boyle is ever likely to forget. ‘I will never forget it,’ she clarifies, in her unmistakeably Celtic brogue. It was the day that the shy, devout 48 year old stepped onto the stage of the Scottish Exhibition and Conference Centre in Glasgow for an audition on Britain’s Got Talent. Or to put it another way, the day her world turned 360 degrees on its head. In front of the three-strong panel of judges charged with divining which of this year’s British hopefuls really did have talent, the singing voice of Susan Boyle turned out to be a watershed moment neither she nor anyone involved in the show could possibly have foreseen. It is now both her and the show’s defining moment.

Ben Stiller wrestles with extinct beasts, historical figures, and meddling monkeys in Night at the Museum: Battle of the Smithsonian, the sequel to the popular 2006 special-effects extravaganza. This time, the ancient Egyptian tablet (the one that brings all the exhibits at New York’s Museum of Natural History to life at night) is being shipped off to the Smithsonian in Washington, D.C.–which, as the movie diligently tells us, is the largest museum in the world. Naturally, former museum guard Larry Daley (Ben Stiller) heads down to rescue it (and, by extension, keep his magical museum friends alive). He ends up fighting with a nasty pharaoh who talks like Boris Karloff (Hank Azaria, The Simpsons) and falling in love with Amelia Earhart (Amy Adams, Enchanted). All the old gang are along for the ride, including Dexter the monkey; much face-slapping and special effects ensue. There aren’t many surprises, but Battle of the Smithsonian is cheerful enough to entertain everyone who enjoyed the first movie. Extras include commentaries by the director and the writers, the usual self-congratulatory making-of featurette, deleted scenes that are actually as good as the rest of the movie, an alternate ending, and an entirely pointless second disc about Crystal, the capuchin monkey who plays Dexter (the monkey disc has less than a half-hour of material, including two mediocre games). The great supporting cast from the first movie returns, including Owen Wilson, Steve Coogan, and Robin Williams. –Bret Fetzer

Pixelmator is an easy-to-use, fast and powerful image editing program that has everything you need to enhance, edit and retouch your photos. Pixelmator’s powerful toolset includes selection, painting, color correction and retouching tools that easily transform and enhance your photos and images. Layer-based image editing, filters and special effects help you quickly achieve impressive imagery. Add text to your pictures, analyze colors, crop, transform, rotate or move anything in your pictures. Made for the Mac, Pixelmator takes advantage of built-in iPhoto support and one-click access to iSight. This user-friendly image editor has everything you need to achieve professional results.

A remarkable blend of simplicity and highly-advanced DSLR capabilities, the compact and powerful D5000 offers breathtaking 12.3-megapixel image quality, along with a flexible, Vari-angle, Live View monitor for fresh picture-taking perspectives. Nikon’s EXPEED image processing further enhances performance, contributing to split-second shutter response and continuous shooting at up to 4 frames-per-second to capture fast action and precise moments perfectly.