Food, Inc. lifts the veil on our nation’s food industry, exposing how our nation’s food supply is now controlled by a handful of corporations that often put profit ahead of consumer health, the livelihood of the American farmer, the safety of workers and our own environment. Food, Inc. reveals surprising and often shocking truths about what we eat, how it’s produced and who we have become as a nation.
Buckle up for thrilling edge-of-your-seat action and laugh-out-loud fun in Disney’s family comedy adventure G-Force. Just as the G-Force — an elite team of highly trained guinea pigs — is about to save the world, the F.B.I. shuts the secret unit down. But these next-generation action heroes — Darwin, loyal team leader; Blaster, weapons expert with attitude to spare; Juarez, drop-dead gorgeous martial arts diva; and tag-along Hurley — won’t be stopped. Armed with the latest in high-tech spy equipment, and with the F.B.I. on their tails, the fur flies as they race against the clock to save the world. From the producer of the Pirates Of The Caribbean trilogy and National Treasure, and filled with high-octane action, daredevil stunts, cutting-edge special effects and outrageous comedy, G-Force is fantastic fun for the whole family.
Primetime Emmy Award and Golden Globe winner Tony Shalhoub is back for one last obsessively compulsive good time in the final season of the hit detective series Monk. From the very first moment detective Adrian Monk (Shalhoub) appeared on the scene, audiences have been hooked on this intelligent and irreverent sleuth who uses his quirky phobias and neuroses to solve crimes in a way other detectives just can’t. Join him now as he reunites with former colleagues and friends from seasons past – as well as guest stars Elizabeth Perkins (Weeds), Adewale Akinnuoye-Agbaje (Lost), Daniel Stern (The Wonder Years) and many more – for some of the most riveting cases yet, including the one that has haunted him for the past eight seasons. Critics and fans agree that “…there is something undeniably stirring about watching Tony Shalhoub’s Mr. Monk take his victory lap” (Mary McNamara, Los Angeles Times).
The making of honest action movies has become so rare that Kathryn Bigelow’s magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That’s fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it’s a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film’s extraordinary tension derives from the precision and intelligence of Bigelow’s direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment–hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary moviemaking. You don’t need CGI, just a human eye, and the imagination to realize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball.
Twenty-two years ago, Sam (series star JARED PADALECKI) and Dean (series star JENSEN ACKLES) Winchester lost their mother to a mysterious and demonic supernatural force. As a result, their father, John (recurring guest star JEFFREY DEAN MORGAN – “Grey’s Anatomy”), raised the brothers to be soldiers. He taught them about the paranormal evil that lives in the dark corners and on the back roads of America…and he taught them how to kill it. Sam, however, wanted nothing to do with this violent and dangerous life, and he left it behind, until the day Dean appeared on his doorstep with troubling news. Their father had gone missing on a “hunting trip.” Sam and Dean have spent the last year cruising the highwaysof the United States in their 1967 Chevy Impala, searching for their lost father and encountering creatures that most people believe exist only in folklore, superstition and nightmares. Along the way, they have battled the various supernatural threats–and each other as well, for their sibling rivalries and conflicts were never far from the surface. Finally, they found their father, just as he was closing in on the Demon who claimed their mother.
Resurrection. After enduring unspeakable torture, Dean escapes from Hell, rescued by an all-powerful creature he’s never seen before – an Angel – a warrior of God who recruits Sam and Dean into Heaven’s battle against Hell. And there are whispers that a certain fallen angel will soon be freed from his prison deep in Hell: Lucifer. If Sam and Dean can’t stop it – if Lucifer walks free – he’ll bring on the Apocalypse. Meanwhile, the Winchester Brothers reunite and hit the road, battling the supernatural wherever they go. They encounter demons, spirits, Dracula himself and even a drunk, heavily armed 7-foot-tall teddy bear. All the while, the ultimate war draws them into its horror throughout this enthralling 6-Disc, 22-Episode Season Four. Caught between Heaven and Hell, between God and the Devil, the Winchester brothers must battle for the future of humankind.
Guy Ritchie (Snatch, RocknRolla) attempts to reinvent one of the world’s most iconic literary figures as an action hero in this brawny, visually arresting period adventure. Robert Downey Jr. is an intriguing choice for the Great Detective, and if he occasionally murmurs his lines a pitch or two out of hearing range, his trademark bristling energy and off-kilter humor do much to sell Ritchie’s notion of Holmes. Jude Law is equally well-equipped as a more active Dr. Watson–he’s closer to Robert Duvall’s vigorous portrayal in The Seven Per-Cent Solution than to Nigel Bruce–and together, they make for an engaging team. Too bad the plot they’re thrust into is such a mess–a bustling and disorganized flurry of martial arts, black magic, and overwhelming set pieces centered around Mark Strong’s Crowley-esque cult leader (no Professor Moriarty, he), who returns from the grave to exact revenge. Downey and Law’s amped-up Holmes and Watson are built for the challenge of riding this roller coaster with the audience; however, Rachel McAdams as Holmes’s love interest, Irene Adler (here a markedly different character than the one in Arthur Conan Doyle’s “A Scandal in Bohemia”), and Kelly Reilly as Mary Morstan, the future Mrs. Watson, are cast to the wind in the wake of Ritchie’s hurricane pace. One can imagine this not sitting well with ardent Sherlockians; all others may find this Sherlock Holmes marvelous if calorie-free popcorn entertainment, with the CGI rendering of Victorian-era London particularly appealing eye candy. –Paul Gaita
